
Nina Gilbert, Untitled (an artistic act), 2019, digital video, 7 min 20 sec (foreground) and Erin Crouch, Under the Jumpers, 2017, HD digital Video, running time 00:04:19 (distance)

Nina Gilbert, Untitled (an artistic act), 2019, digital video, 7 min 20 sec

Nina Gilbert, Untitled (an artistic act), 2019, digital video, 7 min 20 sec (foreground) and Stephen Palmer, Drift Map #3 and #1, 2018, inkjet print, drafting film, pencil, pin clips, 83 x 59 cm

Stephen Palmer, Drift Map #3, Drift Map #1, 2018, inkjet print, drafting film, pencil, pin clips.

Zainab Hikmet, Here and There, 2016, two incandescent bulbs synchronised to sun patterns in Baghdad and Auckland; dimensions: variable and Erin Crouch, Under the Jumpers, 2017, HD digital Video, running time 00:04:19

Zainab Hikmet, If you knew, 2018, light-sensitive watercolour on 300gsm paper, 29 x 40 cm (foreground) and Zainab Hikmet, Here and There, 2016, two incandescent bulbs synchronised to sun patterns in Baghdad and Auckland; dimensions: variable

Zainab Hikmet, If you knew, 2018, light-sensitive watercolour on 300gsm paper, 29 x 40 cm (foreground) and Zainab Hikmet, Here and There, 2016, two incandescent bulbs synchronised to sun patterns in Baghdad and Auckland; dimensions: variable

Katie Ryan, Eartongue, 2019, burnished clay, acrylic and brushed chrome, 112 x 37 x 30 cm

Katie Ryan, Eartongue, 2019, burnished clay, acrylic and brushed chrome, 112 x 37 x 30 cm (foreground). Ashley Perry, Weather Stones, Sinker, Message Stick, 2017, inkjet on paper, 30.5 x 20 cm

Ashley Perry, Weather Stones, Sinker, Message Stick, 2017, inkjet on paper, 30.5 x 20 cm

Ashley Perry, Weather Stones, Sinker, Message Stick, 2017, inkjet on paper, 30.5 x 20 cm (foreground) Katie Ryan, Eartongue, 2019, burnished clay, acrylic and brushed chrome, 112 x 37 x 30 cm

Erin Crouch, Under the Jumpers, 2017, HD digital Video, running time 00:04:19

Jeremy Eaton, Through the hand to the mouth (Poison, Beach Rats), 2019, UV exposure dye print on canvas, 94 x 71cm and Through the hand to the mouth (Head On, Pink Narcissus, Beach Rats, A Single Man) 2019, UV exposure dye print on canvas, 94 x 71cm

Erin Crouch, Under the Jumpers, 2017, HD digital Video, running time 00:04:19. Jeremy Eaton, Through the hand to the mouth (Poison, Beach Rats), 2019, UV exposure dye print on canvas, 94 x 71cm and Jeremy Eaton, Through the hand to the mouth (Head On, Pink Narcissus, Beach Rats, A Single Man) 2019, UV exposure dye print on canvas, 94 x 71cm

Zainab Hikmet, the biggest secret, 2018, light-sensitive watercolour on 300gsm paper, 29 x 40 cm and would we stay? 2018, light-sensitive watercolour on 300gsm paper, 29 x 40 cm

Julia McInerney, Hyundai, silver gelatin print through a car window mounted on 1mm steel, 40 x 50.cm and Stephen Palmer, Scenes, 2019, video, 9 mins

Julia McInerney, Hyundai, silver gelatin print through a car window mounted on 1mm steel, 40 x 50.cm

Julia McInerney, Petal, 2019, silver gelatin print of a damaged car bonnet mounted on 1mm steel, 5 x 5 cm

Stephen Palmer, Scenes, 2019, video, 9 mins



















Nina Gilbert, Untitled (an artistic act), 2019, digital video, 7 min 20 sec (foreground) and Erin Crouch, Under the Jumpers, 2017, HD digital Video, running time 00:04:19 (distance)
Nina Gilbert, Untitled (an artistic act), 2019, digital video, 7 min 20 sec
Nina Gilbert, Untitled (an artistic act), 2019, digital video, 7 min 20 sec (foreground) and Stephen Palmer, Drift Map #3 and #1, 2018, inkjet print, drafting film, pencil, pin clips, 83 x 59 cm
Stephen Palmer, Drift Map #3, Drift Map #1, 2018, inkjet print, drafting film, pencil, pin clips.
Zainab Hikmet, Here and There, 2016, two incandescent bulbs synchronised to sun patterns in Baghdad and Auckland; dimensions: variable and Erin Crouch, Under the Jumpers, 2017, HD digital Video, running time 00:04:19
Zainab Hikmet, If you knew, 2018, light-sensitive watercolour on 300gsm paper, 29 x 40 cm (foreground) and Zainab Hikmet, Here and There, 2016, two incandescent bulbs synchronised to sun patterns in Baghdad and Auckland; dimensions: variable
Zainab Hikmet, If you knew, 2018, light-sensitive watercolour on 300gsm paper, 29 x 40 cm (foreground) and Zainab Hikmet, Here and There, 2016, two incandescent bulbs synchronised to sun patterns in Baghdad and Auckland; dimensions: variable
Katie Ryan, Eartongue, 2019, burnished clay, acrylic and brushed chrome, 112 x 37 x 30 cm
Katie Ryan, Eartongue, 2019, burnished clay, acrylic and brushed chrome, 112 x 37 x 30 cm (foreground). Ashley Perry, Weather Stones, Sinker, Message Stick, 2017, inkjet on paper, 30.5 x 20 cm
Ashley Perry, Weather Stones, Sinker, Message Stick, 2017, inkjet on paper, 30.5 x 20 cm
Ashley Perry, Weather Stones, Sinker, Message Stick, 2017, inkjet on paper, 30.5 x 20 cm (foreground) Katie Ryan, Eartongue, 2019, burnished clay, acrylic and brushed chrome, 112 x 37 x 30 cm
Erin Crouch, Under the Jumpers, 2017, HD digital Video, running time 00:04:19
Jeremy Eaton, Through the hand to the mouth (Poison, Beach Rats), 2019, UV exposure dye print on canvas, 94 x 71cm and Through the hand to the mouth (Head On, Pink Narcissus, Beach Rats, A Single Man) 2019, UV exposure dye print on canvas, 94 x 71cm
Erin Crouch, Under the Jumpers, 2017, HD digital Video, running time 00:04:19. Jeremy Eaton, Through the hand to the mouth (Poison, Beach Rats), 2019, UV exposure dye print on canvas, 94 x 71cm and Jeremy Eaton, Through the hand to the mouth (Head On, Pink Narcissus, Beach Rats, A Single Man) 2019, UV exposure dye print on canvas, 94 x 71cm
Zainab Hikmet, the biggest secret, 2018, light-sensitive watercolour on 300gsm paper, 29 x 40 cm and would we stay? 2018, light-sensitive watercolour on 300gsm paper, 29 x 40 cm
Julia McInerney, Hyundai, silver gelatin print through a car window mounted on 1mm steel, 40 x 50.cm and Stephen Palmer, Scenes, 2019, video, 9 mins
Julia McInerney, Hyundai, silver gelatin print through a car window mounted on 1mm steel, 40 x 50.cm
Julia McInerney, Petal, 2019, silver gelatin print of a damaged car bonnet mounted on 1mm steel, 5 x 5 cm
Stephen Palmer, Scenes, 2019, video, 9 mins